Produced by Portishead co-founder the musician-producer, this scabrous though slight debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (the actor) first robs an passed-out supplier, then in another flashback tries to break into his own family home. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The bigger point – that the rave-era youth were mainly focused on number one – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Poacher turns up, fuming after David kills his dog. Still, a darkly funny duel takes hold – David eager to get away; the Woodsman withholding his jerrycan of cider, intent on dousing him instead in resentful talk. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Sensibility
Just a single key story turn, but it leads to a comically executed chaotic run on the forest trails that veers toward folk horror. Director John Minton finally gets to go all in with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full lysergic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.
The film is in UK and Irish theaters from November 17.
